4/17/2023 0 Comments Takenote review![]() ![]() Speakers to burst from the pounding force. There was a more guttural release of emotion. Near the bridge of Take Me Away would have made me piss my pants if Would have put the TakeNote signature stamp on the song. The track could have used just a bit of variant dynamics that The drums bang and the background digs into the material with total Mexico doesn't fair as well, lumbering on until itĪnd then we're dancing away again with Fefe Dobson's Take Me Away. Simplicity of the arrangement - the bubble-bursting bell tones, the blockĬhoral background of the chorus and the sparse vocal percussion is Yet I was caught up in the melancholia of super diva Rachel Werth and With A Broken Heart doesn't have the maturity of the original, Hands Clean perks along with some evocative storytelling. Although Amanda Vickery's solo on Tattoo is outstanding, the song lacks bite. Unfortunately, what follows is a slightly treacly mix of sophomoricīallads. With just a bit more gritĪnd sass, this track could well rival and surpass Divisi' s collegiateįemale (and possibly collegiate in general) reign as having the all-time Getting nasty, and I'd love to hear a remix by James Cannon where he's allowed to do just that. You'll want to crank your car stereo toġ1 as you ride down the street pumping the bass. Though Showstopper is a little under tempo for me, the arrangementīy Robert Dietz molds to the attitude that TakeNote emits like the fancyĭress of its original artists Danity Kane. Recording if you want to see how these Southern ladies are keeping With a very pleasing cover of Gavin Degraw's Meaning. Strongest dance and hip-hop tracks of the year in Showstopper and ends TakeNote is a strong indicator of the talent that simply oozes from The new seven-song EP Life's a Pitch from Clemson University's Though some readers may complain at Life's a Pitch's low trackĬount, it's worth noting that these ladies do more with 7 than most with Minor complaints, as I'm a fan of both the group and the production. Persistence of, well, all the notes, to be distracting. While the production is outstanding for much of this release, Iįound Mexico, Dreaming With A Broken Heart, Take Me Away, and, to a lesser degree, Meaning, to display excessive reverb. Mellow tracks in their programming, TakeNote's first-rate leads keep the Life's a Pitch explodes with undeniable attitude and a perfect Unnatural as the vocal percussion may sound to purists, itĬompares favorably to any programmed drum machine on the radio today, an effect that furthers TakeNote's songs and arrangements. Technology is clearly the former, an excellent and necessary element of Know-how, each group must make its choices wisely. Studio wizardry itself becomes part and parcel of the artistic vision.Īpplied to the wrong material, it's an embarrassing remnant, a scarįrom studio surgery. When performing material that calls for enhanced studio wizardry, ![]()
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